by George Orwell.
George Orwell's classic was incredibly visionary. It is hardly fathomable that this book was written in 1948. Things that we take for granted today - cameras everywhere we go, phones being tapped, bodies being scanned for weapons remotely - all of these things were described in graphic detail in Orwell's book.
Now that we have the Internet and people spying on other people w/ webcams and people purposely setting up their own webcams to let others "anonymously" watch them, you can see how this culture can develop into the Orwellian future described in "1984."
If you've heard such phrases as "Big Brother," "Newspeak," and "thought crime" and wondered where these phrases came from, they came from this incredible, vivid and disturbing book.
Winston Smith, the main character of the book is a vibrant, thinking man hiding within the plain mindless behavior he has to go through each day to not be considered a thought criminal. Everything is politically correct, children defy their parents (and are encouraged by the government to do so) and everyone pays constant allegiance to "Big Brother" - the government that watches everyone and knows what everyone is doing at all times - watching you shower, watching you having sex, watching you eat, watching you go to the bathroom and ultimately watching you die.
This is Taylor's pick.
Monday, November 8, 2010
Make Sure They See My Face (2007)
by Kenna.
"Make Sure They See My Face" is a mature, emotionally open CD beautifully produced by the Neptunes whose arrangements support, embolden and accentuate Kenna's intelligent lyrics.
"MSTSMF" begins with and sets the tone of this CD with "Daylight": the opening string chords gloriously unfolding into Kenna's plaintive vocal and pounding yet subtle drumming and stirring guitar licks: "...let the rush of the spirit find me." "The constant is Love...We want to see Life..."
"Sun Red/Sky Blue" is Kenna at his most emotional and spiritual: "Give me your sun red, sky blue I'm falling into You." He ends the song in a rapturous, wanton even letting go of his self over to a woman and to God by extension. In any event the conclusion of this song will give you goose bumps with it's naked, screaming almost...Kenna kneeling on the altar of Love begging for direction and acceptance.
"MSTSMF" is a terrific CD full of Love, full of Life, Full of Understanding. As such it stands as a testament to Kenna's artistry and dedication.
This is Brad I's pick.
"Make Sure They See My Face" is a mature, emotionally open CD beautifully produced by the Neptunes whose arrangements support, embolden and accentuate Kenna's intelligent lyrics.
"MSTSMF" begins with and sets the tone of this CD with "Daylight": the opening string chords gloriously unfolding into Kenna's plaintive vocal and pounding yet subtle drumming and stirring guitar licks: "...let the rush of the spirit find me." "The constant is Love...We want to see Life..."
"Sun Red/Sky Blue" is Kenna at his most emotional and spiritual: "Give me your sun red, sky blue I'm falling into You." He ends the song in a rapturous, wanton even letting go of his self over to a woman and to God by extension. In any event the conclusion of this song will give you goose bumps with it's naked, screaming almost...Kenna kneeling on the altar of Love begging for direction and acceptance.
"MSTSMF" is a terrific CD full of Love, full of Life, Full of Understanding. As such it stands as a testament to Kenna's artistry and dedication.
This is Brad I's pick.
Network (1976)
Directed by Sidney Lumet.
I watched Network again last night, for the first time since the film first came out. I remembered that it was a good movie with a lot of good acting, but given that the things this film predicted about television have all come true - and been surpassed in spades - I was expecting that its indignation over the commercialization of television news would seem quaint and certainly dated.
Good heavens, was I wrong. This movie hasn't lost its edge a bit in 30 years. William Holden as Max Schumacher is the only real human being, and he wanders through this film looking slack-jawed, as if he'd landed in Toon Town and can't quite believe his eyes. As it turns out, he has: the cartoonish, conniving antics of Robert Duvall and Faye Dunaway leave all of us laughing guiltily.
This is Brett's pick.
I watched Network again last night, for the first time since the film first came out. I remembered that it was a good movie with a lot of good acting, but given that the things this film predicted about television have all come true - and been surpassed in spades - I was expecting that its indignation over the commercialization of television news would seem quaint and certainly dated.
Good heavens, was I wrong. This movie hasn't lost its edge a bit in 30 years. William Holden as Max Schumacher is the only real human being, and he wanders through this film looking slack-jawed, as if he'd landed in Toon Town and can't quite believe his eyes. As it turns out, he has: the cartoonish, conniving antics of Robert Duvall and Faye Dunaway leave all of us laughing guiltily.
This is Brett's pick.
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